据绿润百科网站「青栀如初」消息，近日，对联的来历（对联的来历和含义英语作文）「热点」引发热议，对联的来历和含义英语作文同样引起许多争议，对此众网友各抒己见。但到底是怎么回事呢？绿润百科为您解答。
对联又称春联、楹联、对子、联语，是由两串字数相等、句式相同、平仄和谐、语意相关的汉字序列组成的独立文体。多用来悬挂或粘贴在墙壁和楹柱上，表达人们的思想感情。
对联的起源可以远溯到桃符。桃符又名仙木，是古人过年时悬挂在门两边，画着传说中镇邪除妖的神荼和郁垒神像的桃木板。后来桃符逐渐简化，上面只幽符咒或只写神荼、郁垒的名字。这种桃符每年除夕更换一次，王安石在《元日》中写到的千门万户瞳瞳日，总把新桃换旧符即指此事，所以古代又称春联为桃符。但这种桃符只是为了求神灭祸、祈求吉祥，没有独立使用对仗句子的意识,还不是文学意义上的对联。五代时,符咒和神荼、郁垒的名字逐渐被联语取代。据说这源于后蜀国君孟昶的一个突发奇想的旨意。后蜀广政二十七年，孟昶突然下了一道旨意，命群臣在桃符上题写对句，比试才华。群臣写来写去，孟昶都不满意。最后索性自己提笔写出了一副联语：新年纳余庆，嘉节号长春。?后来这种过年在桃符上写联语的形式慢慢传人民间，深受百姓的喜爱，越传越广。虽然这副五言联并不一定足我国的第一副对联，但人多数学者都认为它是我国最早的一副春联。
对联扎根于我国民族传统文化的肥沃土壤中，融《诗经》的对偶规范、诸子百家的学说、辞赋的修辞文采、骈文的对仗声律、唐诗的风范格韵以及民问的桃符形式为一体，题材丰寓、风格多样，集情意韵形 之美，收雅俗共赏之效。这一我国独有的民族文学传统艺术形式，源远流长，历经千余年不衰，深受社会各界广大人民群众所喜爱，成为我国文艺百花园中一枝精致夺目的奇葩。
对联是中国传统文化中独特的艺术形式，通常由两条意义相通、形式相对、结构上对称的短句组成。对联起源于唐代，具有浓厚的文化底蕴和历史内涵。它既是文学的一种艺术形式，又是一种体现中华民族智慧和精神风貌的文化符号。
对联有着丰富的意义和内涵，常被用于命题、祭祀、庆祝、婚礼、喜庆等场合。它不仅具有表达思想感情的作用，也可以起到装饰和烘托气氛的效果。对联的字数和内容都很考究，对联的结构和韵律构成都需要遵循一定的规律。
对联的典型形式为“对数”即两个对称的四字词或七字诗，其词义、音韵、形式、语言风格和表达方式都应该相对应，具有巧妙的排比和反复。著名的“七绝”和“八律”对联更是凸显了中华文化艺术的博大精深。
对联在中国传统文化和日常生活中具有广泛的影响，在诗歌、书法、绘画、文学、演讲等方面都被充分地运用。一些著名的对联不仅具有艺术价值，还具有很高的历史价值和文化意义，如“民为重 财为轻”、“黄粱一梦 牡丹半生”等。
随着时代和社会的变迁，对联也在不断地发展和变化。现代人常用的对联，可以在内容上更贴近生活，同时运用新的词汇和语言形式，更加符合时代的潮流和文化需求。
总之，对联是中国古代文化的一种独特艺术形式，代表了中华民族的传统智慧和文化特色。它既反映了历史、文化、社会和人类智慧的结晶，也是文学和艺术的一种形式表达。在这样一个快速变化的时代，保持对联的传统和魅力，让人们更好地了解和欣赏中华文化的博大，也是非常必要的。
【英文介绍/For English】：
Couplets, also known as Spring Festival couplets, couplets, couplets, and couplets, are an independent style composed of two sequences of Chinese characters with the same number of characters, the same sentence structure, harmonious levels and related meanings. It is mostly used to hang or paste on walls and columns to express people's thoughts and feelings.
The origin of couplets can be traced back to peach charms. Taofu, also known as fairy wood, is a peach wood board hung on both sides of the door by the ancients during the Chinese New Year, and painted with the legendary statues of the gods Tu and Yulei who suppress evil and eliminate demons. Later, the Tao Fu was gradually simplified, and only the names of Shen Tu and Yu Lei were written on it. This kind of peach talisman is changed every year on New Year's Eve. Wang Anshi wrote in "Yuan Ri" that the pupils of thousands of households always replace the old talisman with the new peach, so it was also called the Spring Festival couplet in ancient times. But this kind of peach talisman is just to pray for gods to eliminate disasters and auspiciousness, without the consciousness of using antithetical sentences independently, and it is not a couplet in the literary sense. During the Five Dynasties, the names of Talisman, Shentu and Yulei were gradually replaced by joint words. It is said that this originated from a whimsical will of Meng Chang, the king of Later Shu. In the twenty-seventh year of Guangzheng in Later Shu, Meng Chang suddenly made a decree, ordering the officials to write couplets on peach charms to compete for talent. The ministers wrote and wrote, but Meng Chang was not satisfied. In the end, I simply took up my pen and wrote a pair of couplets: New Year Na Yuqing, Jiajie No. Changchun. Later, this form of writing couplets on peach charms during the Chinese New Year gradually spread among the people, and it was deeply loved by the people and spread more and more widely. Although this five-character couplet is not necessarily the first couplet in my country, most scholars believe that it is the earliest couplet in my country.
The couplets are rooted in the fertile soil of Chinese national traditional culture, integrating the duality norms of "The Book of Songs", the theories of various schools of thought, the rhetorical and literary talents of Fu, the rhyme of antithesis in parallel prose, the style and rhyme of Tang poetry, and the Taofu form of folk questions. All in one, with rich themes and diverse styles, it combines the beauty of emotion, rhyme and form, and has the effect of appreciating both elegance and vulgarity. This unique traditional art form of national literature in our country has a long history and has survived for more than a thousand years. It is deeply loved by the people from all walks of life and has become a delicate and eye-catching flower in the garden of Chinese literature and art.